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History is a vast field that is both writing and research intensive. Becoming a good researcher is essential to being a good student in history, and students will need to use both primary and secondary sources when conducting research on historical topics.
Primary sources provide firsthand evidence of historical events. They are generally unpublished materials such as manuscripts, letters, photographs, maps, artifacts, audio and video recordings, oral histories, postcards, and posters. In some instances, published materials can also be considered primary sources, such as newspaper articles written during the time period being studied. In contrast, secondary sources, such as books and journal articles, synthesize and interpret primary materials. Tertiary sources, such as encyclopedia and dictionaries, synthesize books and articles, and can be a great place to get started.
This guide will help you get started, and will provide you with an overview of how to look for secondary sources (books and articles), as well as primary sources. If at any point you are not sure where to find information, you can always contact the library via live chat or visit a librarian at any Waubonsee Community College Library!
In Daily Life through History, students and researchers discover the everyday details about past eras that make historical accounts relevant and meaningful. Includes reference articles, media, and documents.
Nationalism
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A global perspective on the nature and evolution of nationalism, from the early modern era to the present The current rise of nationalism across the globe is a reminder that we are not, after all, living in a borderless world of virtual connectivity. In Nationalism, historian Eric Storm sheds light on contemporary nationalist movements by exploring the global evolution of nationalism, beginning with the rise of the nation-state in the eighteenth century through the revival of nationalist ideas in the present day. Storm traces the emergence of the unitary nation-state--which brought citizenship rights to some while excluding a multitude of "others"--and the pervasive spread of nationalist ideas through politics and culture. Storm shows how nationalism influences the arts and humanities, mapping its dissemination through newspapers, television, and social media. Sports and tourism, too, have helped fashion a world of discrete nations, each with its own character, heroes, and highlights. Nationalism saturates the physical environment, not only in the form of national museums and patriotic statues but also in efforts to preserve cultural heritage, create national parks, invent ethnic dishes and beverages, promote traditional building practices, and cultivate native plants. Nationalism has even been used for selling cars, furniture, and fashion. By tracing these tendencies across countries, Storm shows that nationalism's watershed moments were global. He argues that the rise of new nation-states was largely determined by shifts in the international context, that the relationships between nation-states and their citizens largely developed according to global patterns, and that worldwide intellectual trends influenced the nationalization of both culture and environment. Over the centuries, nationalism has transformed both geopolitics and the everyday life of ordinary people.
The Atlantic in World History, 1490-1830
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The Atlantic in World History, 1490-1830 looks at the historical connections between four continents - Africa, Europe, North America and South America - through the lens of Atlantic history. It shows how the Atlantic has been more than just an ocean: it has been an important site of circulation and transmission, allowing exchanges and interchanges which have profoundly shaped the development of the world. Divided into four thematic sections, Trevor Burnard's sweeping yet concise narrative covers the period from the voyages of Columbus to the New World in the 1490s through to the end of the Age of Revolutions around 1830. It deals with key topics including the Columbian exchange, Atlantic slavery and abolition, war as a global phenomenon, the Age of Revolution, religious conversion, nation-building, trade and commerce and intellectual movements such as the Enlightenment. Rather than focusing on the 'rise of the West', Burnard stresses the interactive nature of encounters between various parts of the world, setting local case studies within his broader interconnected narrative. Written by a leading historian of Atlantic history, and including further reading lists, images and maps as well as a companion website featuring discussion questions, timelines and primary source extracts, this is an essential book for students of Atlantic and world history.
The World of the Crusades
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A lively reimagining of how the distant medieval world of war functioned, drawing on the objects used and made by crusaders Throughout the Middle Ages crusading was justified by religious ideology, but the resulting military campaigns were fueled by concrete objectives: land, resources, power, reputation. Crusaders amassed possessions of all sorts, from castles to reliquaries. Campaigns required material funds and equipment, while conquests produced bureaucracies, taxation, economic exploitation, and commercial regulation. Wealth sustained the Crusades while material objects, from weaponry and military technology to carpentry and shipping, conditioned them. This lavishly illustrated volume considers the material trappings of crusading wars and the objects that memorialized them, in architecture, sculpture, jewelry, painting, and manuscripts. Christopher Tyerman's incorporation of the physical and visual remains of crusading enriches our understanding of how the crusaders themselves articulated their mission, how they viewed their place in the world, and how they related to the cultures they derived from and preyed upon. A note to readers: the grey-shaded pages throughout this volume look at the Crusades in detail, exploring individual themes such as food and drink, medicine, weapons and women's role in the Crusades. These short essays are interspersed throughout the chapters and the main text will continue after each one. For instance, 'Taking the Cross' runs from pages 4 to 7, and the Introduction continues on p. 8.
The Missing Thread
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One of The Smithsonian's 10 best history books of 2024 One of BBC History Magazine's best books of 2024 "Thoroughly researched and sprightly.... a complete history of the [Mediterranean world] with the women added back in, as they always should have been."--The New York Times A dazzlingly ambitious history of the ancient world that places women at the center--from Cleopatra to Boudica, Sappho to Fulvia, and countless other artists, writers, leaders, and creators of history Around four thousand years ago, the mysterious Minoans sculpted statues of topless women with snakes slithering on their arms. Over one thousand years later, Sappho wrote great poems of longing and desire. For classicist Daisy Dunn, these women--whether they were simply sitting at their looms at home or participating in the highest echelons of power--were up to something much more interesting than other histories would lead us to believe. Together, these women helped to make antiquity as we know it. In this monumental work, Dunn reconceives our understanding of the ancient world by emphasizing women's roles within it. The Missing Thread never relegates women to the sidelines and is populated with well-known names such as Cleopatra and Agrippina, as well as the likes of Achaemenid consort Atossa and Olympias, a force in Macedon. Spanning three thousand years, the story moves from Minoan Crete to Mycenaean Greece, from Lesbos to Asia Minor, from the Persian Empire to the royal court of Macedonia, and concludes with Rome and its growing empire. The women of antiquity are undeniably woven throughout the fabric of history, and in The Missing Thread they finally take center stage.
America, América
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A New York Times bestseller * A finalist for the 2025 Kirkus Prize, 2025 Cundill History Prize, and 2026 Andrew Carnegie Medal for Excellence in Nonfiction "An extraordinarily ambitious book . . . America, América reads at times as the historical equivalent of the great epic novels of Gabriel García Márquez." --Irish Times From the Pulitzer Prize-winning historian, the first comprehensive history of the Western Hemisphere, a sweeping five-century narrative of North and South America that redefines our understanding of both The story of how the United States' identity was formed is almost invariably told by looking east to Europe. But as Greg Grandin vividly demonstrates, the nation's unique sense of itself was in fact forged facing south toward Latin America. In turn, Latin America developed its own identity in struggle with the looming colossus to the north. In this stunningly original reinterpretation of the New World, Grandin reveals how North and South emerged from a constant, turbulent engagement with each other. America, América traverses half a millennium, from the Spanish Conquest--the greatest mortality event in human history--through the eighteenth-century wars for independence, the Monroe Doctrine, the coups and revolutions of the twentieth century, and beyond. Grandin shows, among other things, how in response to U.S. interventions, Latin Americans remade the rules, leading directly to the founding of the United Nations; and how the Good Neighbor Policy allowed FDR to assume the moral authority to lead the fight against world fascism. Grandin's book sheds new light on well-known historical figures like Bartolomé de las Casas, Simón Bolívar, and Woodrow Wilson, as well as lesser-known actors such as the Venezuelan Francisco de Miranda, who almost lost his head in the French Revolution and conspired with Alexander Hamilton to free America from Spain; the Colombian Jorge Gaitán, whose unsolved murder inaugurated the rise of Cold War political terror, death squads, and disappearances; and the radical journalist Ernest Gruening, who, in championing non-interventionism in Latin America, helped broker the most spectacularly successful policy reversal in United States history. This is a monumental work of scholarship that will fundamentally change the way we think of Spanish and English colonialism, slavery and racism, and the rise of universal humanism. At once comprehensive and accessible, America, América shows that centuries of bloodshed and diplomacy not only helped shape the political identities of the United States and Latin America but also the laws, institutions, and ideals that govern the modern world. In so doing, Grandin argues that Latin America's deeply held culture of social democracy can be an effective counterweight to today's spreading rightwing authoritarianism. A culmination of a decades-long engagement with hemispheric history, drawing on a vast array of sources, and told with authority and flair, this is a genuinely new history of the New World.
Last Witnesses
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"A masterpiece" (The Guardian) from the Nobel Prize-winning writer, an oral history of children's experiences in World War II across Russia NAMED ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST For more than three decades, Svetlana Alexievich has been the memory and conscience of the twentieth century. When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing "a new kind of literary genre," describing her work as "a history of emotions . . . a history of the soul." Bringing together dozens of voices in her distinctive style, Last Witnesses is Alexievich's collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded--a trauma that would change the course of the Russian nation. Collectively, this symphony of children's stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. Translated by the renowned Richard Pevear and Larissa Volokhonsky, Last Witnesses is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. Praise for Last Witnesses "There is a special sort of clear-eyed humility to [Alexievich's] reporting."--The Guardian "A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. They are the first and last witnesses."--The New Republic "A profound triumph."--The Big Issue "[Alexievich] excavates and briefly gives prominence to demolished lives and eradicated communities. . . . It is impossible not to turn the page, impossible not to wonder whom we next might meet, impossible not to think differently about children caught in conflict."--The Washington Post
Can Democracy Work?
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"Of all the books on democracy in recent years one of the best is James Miller's Can Democracy Work? . . . Miller provides an intelligent journey through the turbulent past of this great human experiment in whether we can actually govern ourselves." --David Blight, The Guardian A new history of the world's most embattled idea Today, democracy is the world's only broadly accepted political system, and yet it has become synonymous with disappointment and crisis. How did it come to this? In Can Democracy Work? James Miller, the author of the classic history of 1960s protest Democracy Is in the Streets, offers a lively, surprising, and urgent history of the democratic idea from its first stirrings to the present. As he shows, democracy has always been rife with inner tensions. The ancient Greeks preferred to choose leaders by lottery and regarded elections as inherently corrupt and undemocratic. The French revolutionaries sought to incarnate the popular will, but many of them came to see the people as the enemy. And in the United States, the franchise would be extended to some even as it was taken from others. Amid the wars and revolutions of the twentieth century, communists, liberals, and nationalists all sought to claim the ideals of democracy for themselves--even as they manifestly failed to realize them. Ranging from the theaters of Athens to the tents of Occupy Wall Street, Can Democracy Work? is an entertaining and insightful guide to our most cherished--and vexed--ideal.
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